Extraordinary Discourse 421


Critical Interventions




Yeah. Yeah. You’re talking about an eloquence in the ear there. You could say that eloquence is a free floating life form, and when it attaches itself to a particular language or practice it’s mistaken for that language or practice. But you know all forms of deep artistic merit really require disciplined practice, of years-long duration, without an audience, without any witnesses, so that the depth of the thing, the depth of eloquence in the made world, has a chance to respond to the pleas which are the practice of disciplined learning and hearing.
Stephen Jenkinson











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